Hans Liviabella — Violinist

Born in Turin, Hans Liviabella hails from a family of musicians. His great-great-grandfather was a student of Rossini, his great-grandfather a capellmeister, his grandfather a composer and his father a violist with whom he commenced his violin studies at the age of four.

He completed a degree in violin performance at the G. Verdi Conservatory in Milan under the guidance of Christine Anderson. He continued his studies with Salvatore Accardo at the Accademia W. Stauffer in Cremona and with Dora Schwarzberg at the Musikhochschule in Vienna. During his studies with the latter, he was chosen among the best students of his generation to perform at a direct radio-broadcast concert in Moscow dedicated to the memory of the famous Russian pedagogue Yankelevich.

Having been heard perform by Gidon Kremer, Hans was recommended to further his education with Maya Glesarova in Moscow. His formation also included studies with Stefan Gheorghiu, Franco Gulli and the Trio di Trieste on a DeSono Association (Turin, Italy) scholarship.

Hans Liviabella is a member of the Chamber Orchestra of Europe and has been playing with them since 1992. He was invited by Claudio Abbado to play with the Lucerne Festival Orchestra and the Orchestra Mozart of Bologna. He also collaborated as principal with the Filarmonica della Scala and the Mahler Chamber Orchestra.

He is the first violin of the Quartetto Energie Nove, an ensemble which regularly collaborates with, among others, A. Lonquich, I. Pogorelich, V. Mendelssohn and J. Rachlin. The quartet has appeared on numerous radio and TV broadcasts on RTSI (Swiss National TV) and has a regular discographical output with the record label Dynamic.

Hans is the Principal 2nd Violin with the Orchestra della Svizzera italiana with whom he also performes regularly as soloist. Latest performances include the Prokofiev Violin Concerto with Alain Lombard and recordings of the concertos by Joseph Boulogne Chevalier de St. Georges (Op. 7 no. 2, world premiere), A. Casella, Lino Liviabella and G. F. Malipiero for the Forlane record label.

Hans Liviabella plays violins by A. Stradivari (1708) and G. Cappa (1702).

Clint Borzoni — Composer

CLINT JOSEPH BORZONI is the Resident Composer for Musica Marin, a nonprofit organization that presents, supports and inspires classical music throughout the San Francisco Bay Area. He is an award winning composer whose “highly original yet lyrical music and natural gift for melody and harmonic structure” (The Huffington Post) has resulted in international performances and premieres.

He has collaborated with librettist John de los Santos on the opera When Adonis Calls. The lyrical opera (fashioned entirely from the poetry of Gavin Geoffrey Dillard), was selected for inclusion by Fort Worth Opera’s Frontiers and Opera America’s New Works Forum. The world premiere at the Asheville Lyric Opera sold out, and was followed by a collaborative new production in Chicago between Thompson Street Opera and Pride Films & Plays. Their second collaboration, The Copper Queen, won the Arizona Spark competition, and is being fully commissioned by Arizona Opera. It will open the McDougall RED Series in the 2020/21 Season— excerpts were recently performed at the American Lyric Theater’s Alumni concert, with a third sold-out workshop at Opera America. Other operatic works include Margot Alone in the Light, an adaptation of Ray Bradbury’s story All Summer in a Day (premiered by operamission (2009) and subsequently produced by Opera On Tap); and Antinous and Hadrian (commissioned by operamission).

Mr. Borzoni has composed songs and song cycles for many leading vocalists. He won BARIHUNKS Best New Song (2015), Best New Solo Work for Baritone (2017), and was a winner of Sparks & Wiry Cries Second annual NYC songSLAM, and operamission’s cabaret song competition. Borzoni’s additional honors include the Morton Feldman Award, the Boston Metro Opera Festival Award, an artist residency with the American Lyric Theater’s Composer Librettist Development Program (2009), the Queer Urban Orchestra’s 2018 composition contest winner, an associate producer credit for Patricia Racette’s CD Diva on Detour, and was a participant in American Opera Projects’ Composers and the Voice program.

In addition to composing opera, art song, and concert music, his musical My Life as a Bald Soprano received an Off-Broadway run at the Midtown International Theater Festival. Borzoni has also scored three films for the production company JR VISION, which were featured at the Take Two Film Festival, the Miami Short Film Festival, and Anthology Film Archives. His music has been presented by the Merola Opera Program, the Glimmerglass Festival, the Bay View Music Festival, the Wintergreen Festival, the Summer Street Festival, St Martin-in-the-Fields, the U.S. embassy in Switzerland, La MaMA, Symphony Space, Opera Grows in Brooklyn, the New York Youth Symphony, the Walt Whitman Project, the Jacobs School of Music, the Guildhall School of Music, the Mannes School of Music, and many more venues and universities.

He has recently been commissioned by Arizona Opera, the Delaware Art Museum, the Big Apple Corps Symphonic Band, and Barihunks. He studied with Pulitzer Prize-winning composer David Del Tredici at the City University of New York where he received an MA in Music Composition. He recently finished a new oratorio, “The Wife of Lot”, which was commissioned by the Gavin Dillard Poetry Library & Archive, and made possible by a generous donation from Steven J. Schimmel.

Marco Vassalli — Baritone

The German baritone, Marco Vassalli was born of Italian roots. He grew up on Lake Constance and began his singing studies in 1997 at the Hochschule für Musik in Cologne. Since 1999, he studied there with Kammersängerin Professor Edda Moser. In October 2002, he finished his graduate studies there with honours. For some time he worked with Maria Baldauf in Zürich. He received Master-classes with Nico Castel (New York), Peter Schreier (Dresden), Christa Ludwig (Villecroze) and Hans Sotin (Munich).

Even before the start of his singing studies in Cologne, Marco Vassalli stood on the concert podium. Meanwhile he was acquired a wide repertoire of oratorios, cantatas, Passions and masses, such as “Matthäus-Passion BWV 244”, “Magnificat BWV 243”, “Weihnachtsoratorium BWV 248” by J.S. Bach. “Die Schöpfung” by J.Haydn, “Messiah” by G.F. Handel, “Requiem” by G. Fauré, G. Verdi and Maurice Duruflé. A concert tour with J.S. Bach’s “Johannes-Passion BWV 245” led him from the Morgenlandfestivals Osnabrück to Tehran in Iran and with Lindbergs “Requiem” to Syria and Jordania.

His other stations were: Hoher Dom zu Osnabrück, Philharmonie Köln, Berliner Dom and the Beethovenhalle Bonn. His lieder recitals have been with received excellent resonance and artistic recognition by both the public and the press. Above all, Marco Vassalli is at home on the opera stage; guest engagements have led him, among others venues, to the Deutsche Oper Berlin, the Dresdner Festspiele, the Opernhaus Köln, the Teatro Poliziano in Montequlciano, the Mecklenburgische Staatstheater Schwerin, the Festspielhaus Baden-Baden, the Deutsche Oper am Rhein in Düsseldorf, Staatsoper Hannover and the Istanbul State Opera. His main roles include: Papageno (Zauberflöte), Conte Almaviva (Le nozze di Figaro), Marcello (La Bohème), Dottor Malatesta (Don Pasquale), Wolfram von Eschenbach (Tannhäuser), Figaro (Il barbiere di Siviglia), Marchese di Posa (Don Carlo), Pelleas (Pelleas et Melisande), Count Danilo (Lustige Witwe), Edwin (Csardasfürstin), Graf Réné (Graf von Luxemburg) and Gabriel von Eisenstein (Fledermaus).

In May 2004 he sang under the baton of Thomas Hengelbrock in Verdi’s “Rigoletto” in the staging of Philippe Arlaud the Count of Ceprano (production of ZDF/3sat under the “Herbert von Karajan-Festspiele” at the Festspielhaus Baden-Baden). Also at the Festspielhaus BadenBaden he sang 4.Knappe in Richard Wagner’s Parsifal (DVD-production of RM-Productions), the musical director was Kent Nagano, the work was staged by Nikolaus Lehnhoff. In September 2005 he appeared at the Internationale Beethovenfest in bonn in an aria concert with the WDR-Rundfunkorchester under the baton of Helmuth Froschauer on the occasion of the 50th Anniversary of the death of Thomas Mann.

From October 2003 to August 2005 Marco Vassalli was a member of the Opernstudio der Deutschen Oper am Rhein Düssledorf. Here he sang, among other things, Schlemihl/Hermann in “Hoffmanns Erzählungen“ and Papageno form Mozart’s “Zauberflöte“ both in production by Christof Loy. From September 2006 to August 2012 he was an ensemble member of the Städtischen Bühnen Osnabrück. Here he sang next to various huge/large Fachpartien a lot of Uraufführungen such as: “Neda, der Ruf” von Nader Mashayekhi, “Operette” von Mario Wiegand. “Rotkäppchen, lauf” und “Schön, schöner Schneewittchen” in cooporation with the Adevantgarde Festival in Munich. In the season 2015/2016 Marco Vassalli will sing at the Staatsoper Hannover in Leonard Bernsteins “Candide” as well as “Roman Cycowski” in “Comedian Harmonists” at the Theater Osnabrück and gives his US debut in a recital with the world premiere of songs by Clint Borzoni.

Ruth Kahn — Violist

A graduate of The Juilliard School and native of the San Francisco Bay Area, violist Ruth Ellen Kahn, has performed extensively on both coasts. Her chamber music experience includes performing with such eminent artists as, Cynthia Phelps, Shmuel Ashkenazi, Maurice Bourgue, the Miro String Quartet, and the Colorado String Quartet among others. She has received numerous awards, prizes and critical acclaim, as well as invitations to perform for such organizations as the New York Viola Society and at Hertz Hall in Berkeley, California. She has also performed as soloist with the Mexico City Philharmonic and the New England Symphonic Ensemble.

Ruth has been artistic director of two chamber music series in both New York and New Jersey, one of which resulted in a recital in Carnegie Recital Hall. Ms Kahn performed with the New York City Ballet Orchestra for nearly 20 years, before relocating back to the Bay Area. Among the many other orchestras with which she has played are the Orchestra of St. Luke’s, the New York City Opera Orchestra, the Los Angeles Chamber Orchestra, the Los Angeles Opera Orchestra, the Carmel Bach Festival, and the San Francisco Opera Orchestra. Ruth is also an accomplished violinist, and the co-concertmaster of The Russian Chamber Orchestra of the Bay Area.

Internationally, Ruth has toured with the New England Symphonic and New York Chamber Ensembles to Morocco, Israel and Jordan, where they performed for the Royal Families. In addition, she has been invited numerous times to attend the Spoleto Festival in Italy and Charleston, N.C.

Ms. Kahn is very active in the area of viola and violin pedagogy and has been the assistant to Paul Doktor at the Juilliard School, taught master classes and has maintains a private studio in Marin County CA.. She has been on the faculty at U.C. Berkeley, The Marin Waldorf School and San Domenico. She is currently on the viola faculty at Interharmony Music Festival in Italy.

Her teachers have included Karen Tuttle, Paul Doktor, Heiichiro Ohyama, Louis Kievman, and the world-renowned violist, William Primrose.

“The viola recital by Ruth Kahn showed off the naturally rich sound of her instrument..Kahn let loose with a welter of secure technical passages and produced double-stops that were vibrantly in tune, Kahn sunk into the dark sound of her viola and pulled the harmonies out with full color.”

-Paul Somers, Classical New Jersey

Felicia Moore — Soprano

American soprano Felicia Moore is recognized as a powerful and innovative emerging artist having made music in partnership with Alan Gilbert, Anne Manson, Yannick Nézet-Séguin, Speranza Scappucci, Gary Thor Wedow, and Brian Zeger among others.

In the current season, Felicia Moore joins the roster of the Metropolitan Opera for First Lady in The Magic Flute led by Lothar Koenings and sings the role of Susan B. Anthony in The Mother of Us All at the Metropolitan Museum of Art as a part of Project 19, the New York Philharmonic’s multi-season initiative marking the centennial of the 19th Amendment, which guarantees women the right to vote in the United States. Other highlights of the season include the Verdi Requiem with Music Director Alexander Shelley conducting the National Arts Centre Orchestra, Beethoven’s Ninth Symphony with Music Director Rafael Payare and the San Diego Symphony Orchestra, the title role of Ariadne auf Naxos at Arizona Opera, and Lady Macbeth in a newly constructed version of Verdi’s Macbeth with Heartbeat Opera.

Felicia Moore sang Donna Elvira in Don Giovanni last season for Palm Beach Opera, Heartbeat Opera, and with Chamber Music Northwest and she made her debut with Donato Cabrera and the Las Vegas Philharmonic in performances of Beethoven’s Ninth Symphony. Highlights of the recent past also include Britten’s The Turn of the Screw at Opera Columbus and the title role of Janáček’s Katya Kabanova conducted by Anne Manson in a new production by Stephen Wadsworth at Juilliard.

Accomplishments during her tenure at Juilliard include Copland’s Twelve Emily Dickinson Songs with pianist Brian Zeger at Juilliard’s Songfest, a solo debut at Alice Tully Hall as winner of Juilliard’s Vocal Arts Honors Recital presenting a program of Sibelius, Wagner and Copland with pianist Chris Reynolds, and with the Juilliard Orchestra workshop selections from Tchaikovsky’s Eugene Onegin with Alan Gilbert, Mozart’s Ch‘io mi scordi di te? …Non temer, amato bene, K. 505 conducted by Gary Thor Wedow, and Beethoven’s Ah! Perfido, Op. 65 led by Speranza Scappucci.

Ms. Moore’s training has included resident artist apprenticeships at San Francisco Opera’s Merola Opera Program, Des Moines Metro Opera, Opera Theatre of Saint Louis, Portland Opera, and the Ravinia Festival’s Steans Institute. In Europe she has participated in the Aix-en-Provence Festival’s Mozart Académie and in the International Meistersinger Akademie in Neumarkt, Germany under the tutelage of Edith Wiens.

Success in international vocal competition is demonstrated and supported by achievements in the Metropolitan Opera National Council Auditions, Sullivan Foundation Competition, George London Foundation Competition, Queen Sonja International Music Competition, Tenor Viñas International Singing Contest, Opera Index, Licia Albanese-Puccini Foundation, and Fort Worth Opera’s McCammon Voice Competition. Felicia Moore was awarded the Birgit Nilsson Prize at Operalia in 2019, the Prix des Amis du Festival by the Aix-en-Provence Festival, First Prize from the James Toland Vocal Arts Competition and the Jensen Foundation, Second Prize at the National Opera Association Competition, the Florence and Paul DeRosa Prize from The Juilliard School, and grants from The Gerda Lissner Foundation, the Richard F. Gold Foundation, and the Wagner Society of New York.

Felicia Moore was awarded a 2018-19 Fellowship by Turn The Spotlight, a foundation created to identify, nurture, and empower leaders – and in turn, to illuminate the path to a more equitable future in the arts through mentorship by and for exceptional women, people of color, and other equity-seeking groups in the arts. She is a proud alumna of The Juilliard School, Mannes School of Music, and Westminster Choir College.

Alexander Taite — Tenor

A resident and native of Oakland California, Alexander Taite graduated in 2007 from Pepperdine University with a Bachelor’s Degree in music theory and composition. He emphasized in vocal performance and jazz piano. He spent 4 years teaching theory and conducting choirs at the Oakland School for the Arts. In 2014 He placed third in the inaugural James Toland Vocal Arts competition and in 2016 took audience favorite. He was a finalist in the East Bay Opera League scholarship competition in 2015. He is currently singing with the SF Opera chorus; teaching with the Opera Guild (SF Opera's education and outreach department); teaching private piano, music theory, and voice lessons; and conducting the graduate level ensemble at the San Francisco Boys Chorus.

Kseniia Polstiankina — Pianist

Second-year San Francisco Opera Adler Fellow Kseniia Polstiankina Barrad participated in the 2018 Merola Opera Program. Before graduating with honors from the Special Music School in Kyiv, she won top prizes at various international piano and chamber music competitions, including the Prokofiev International Competition for Young Pianists (Donetsk, Ukraine), the International Competition for Young Pianists (Belgrade, Serbia), and the International Chamber Ensemble Competition (St. Petersburg, Russia). She twice became a national finalist in the MTNA Young Artist Competition, winning 3rd prize in 2011. On the concert stage, Kseniia has appeared on numerous occasions with orchestras such as the National Symphony Orchestra of Ukraine, the LaGrange Symphony Orchestra, and the Chernigov Symphony Orchestra. Barrad also enjoys a vibrant collaborative career spanning opera, choral music, vocal recitals, and chamber music, and she recently held the position of principal coach with Queen City Opera in Cincinnati. At San Francisco Opera, she has been a part of the music staff for productions of Carmen and Manon Lescaut. She graduated with her master’s degree in Collaborative Piano from the College-Conservatory of Music in Cincinnati where she recently completed her Doctor of Musical Arts degree in Piano Performance studying with Prof. Awadagin Pratt.

Simple Harmonic Motion — Acapella Quartet

Somehow meeting each other by sheer chance and overheard elevator conversations, these four rising Sophomores at Cal Poly founded Simple Harmonic Motion, a multidisciplinary singing group, over their shared love of the fun of music with friends.

Tenor Justin Privatera is a Computer Science and Mathematics double major from the San Francisco Peninsula. Justin plays french horn with an independent brass quintet as well as Cal Poly’s Wind Ensemble, Symphony Orchestra, and Brass Ensemble. With the Ragazzi Boys Chorus,he sang in Davies Symphony and Carnegie Hall's and is featured on Ragazzi’s 2016 Album “I Dream a World”.

Dylan Moreland (Tenor) is an Industrial Engineering major from Mountain View. Dylan plays the piano and sings with Cal Poly’s touring PolyPhonics and Chamber ensembles and is a founding member of Cal Poly’s Pi Kappa Phi chapter. Dylan is a PolyPhonics and Honor Choir section leader and works as a stagehand and facility supervisor for the Mountain View Center for the Performing Arts. He also works in similar roles for Cal Poly’s Spanos Theater and ASI Audiovisual. Dylan aspires to do industrial engineering as well as Broadway lighting design.

Jacob Siderman (Bass/Baritone) from Marin County, is a Physics major earning Mathematics and Music minors. Jacob sings with Cal Poly’s University Singers, touring PolyPhonics, and Chamber ensembles and is a founding member of Cal Poly’s Pi Kappa Phi along with Dylan. With the San Francisco Boys Chorus, Jacob sang internationally in Russia, Denmark, Finland, and Costa Rica including performances in St. Petersburg’s Glinka Capella. Jacob hopes to push the boundaries of human knowledge, preferably from the inside of a spacecraft.

Joey Lombardi (Bass) is a Business Administration major with a concentration in Human Resources from Sacramento. Joey won the Outstanding Vocal Soloist Award at the 2017 Monterey Jazz Festival and the 2017 David G. Schetter Memorial Scholarship Award while touring. He plays cello with Cal Poly’s Symphony Orchestra and Baroque Chamber Ensemble. Joey is an avid rock climber and the lowest grade he’s earned at Cal Poly is a singular A-.

César Cañón — Pianist

Pianist César Cañón alternates his activity as a concert pianist with vocal coaching and conducting. He has performed in his native Colombia, and Brazil, Canada, Italy, Mexico, and the United States. A participant in the 2017 Merola Opera Program, he was also featured in San Francisco Opera’s Schwabacher recital series, in which he performed Brahms’ Die Schöne Magelone alongside baritone Christian Pursell and soprano Felicia Moore.

Cañón’s collaborations encompass formats that span from piano-voice duo to full symphony orchestra. Committed to introducing audiences to Spanish and Latin American Zarzuela and art song repertoire, he created and curated University of Michigan’s “En Español: Sounds of the Hispanosphere,” a week-long festival dedicated to music of the Spanish-speaking nations of the world. A current Adler Fellow with San Francisco Opera, he has been part of the music staff for productions of Cavalleria Rusticana and Tosca. He will be music director for Pocket Opera’s production of The Elixir of Love in 2019, as well as assistant conductor for La Finta Giardiniera and Suor Angelica with Accademia Europea dell’Opera next summer in Lucca, Italy.

Cañón holds a bachelor’s degree in piano performance from Universidad Nacional de Colombia and a Master of Music degree in collaborative piano from the University of Michigan, where he also completed his doctorate under Martin Katz.

San Francisco Boys Chorus

The San Francisco Boys Chorus exists to discover, develop, and encourage boys with unchanged voices through its music programs. Its heritage of nearly 70 years of training young performers for the opera and other major musical institutions has established the highest standards of excellence with which our boys are trained for today and prepared for tomorrow.

We believe that the lives of all people are enriched and strengthened by a love of music. The quality of life in our communities is enhanced when there is a wide variety of opportunities for participation in musical activities and other artistic pursuits. Beyond its deep commitment to quality music education, the Chorus experience builds a boy’s character as well as his talent. All of our programs reflect an instructional approach designed to nurture self-esteem, leadership, independence, discipline, and responsibility, as well as a life-long love of music.

Cadence Strange — Tenor

Thirteen year-old East Bay native, Cadence Crawley Strange, was elected Head boy at the Pacific Boychoir Academy last year as a 7th grader (Head of School, Summer Dittmer) after beginning his musical studies with Pittsburg Unified School District and the San Francisco Boychoir. He has been recorded as the youngest member of the Oakland Symphony Chorus at just eleven years old as stated by the East Bay Times.

The former African American Shakespeare Theatre actor currently studies the cello under Amy Brody Amongst the love and passion this classically trained tenor has for the arts, as proven in his receipt of the Musicianship of the Year medal, he is as well a youth leader at his Church, New Destiny, Bishop Carl Smith and an academic scholar. Cadence in his perfect attendance recorded year, received honors this year in Math, Language Arts/Humanities for his writing, Spanish and received a nomination for recognition as a Jr. National Leader recipient by his Science teacher. Cadence has traveled abroad thus far to both Ecuador and Ireland in his journey with PBA and has enjoyed singing the Anthem in arenas such as Cal Berkley and both the Raiders and A's games which he was chosen as spokes person for PBA at the A's gala as well as several television and news events. NBC/Fox/ Channel 2 etc. He looks forward to sharing a book he is writing for kids entitled" My name is Cadence, I Beat to My Own Drum". He is thankful for the privilege he has been allotted to work under the direction of names such as Andrew Brown Director PBA, Marcia Roy Artistic Director PBA, Natasha Bach, Kevin Fox, Jonathan Hampton, Steven Blum, Lynn Morrow Oakland Symphony Vocal Director, Maestro Michael Morgan Oakland Symphony, Peter Callender African American Theatre Director, Maestro Bolen, Michael Tilson Thomas, (Sanfrancisco Symphony) and more. Now entering into the 8th grade, Cadence looks forward to the opportunity to participate with Musica Marin and Artistic Director Ruth Kahn under the tutelage of Lyric Baritone Marco Vassalli.

"What I enjoy most in this world is being able to share my passion for music with my mom Jasmine Strange, vocalist/ composer, my sister Lyric Fox, Jazz vocalist/ tenor sax player at Howard University and with the world. I want to be an example for other kids who may wish to do the same without scrutiny of height, size, race or gender. I want them to know that they can do anything they put their minds to with hard work, dedication and commitment."

— Cadence Starnge

Chef Mark Furr — Culinary Director

Best of the Bay award winner and 20-year veteran of fine restaurants and hotels in San Francisco, including Marriott Marquis, Radius, and Broken Record, Chef Mark Furr heads up the culinary experiences at the inaugural Musica Marin International Chamber Music Festival.y

As a classically trained chef in French kitchens for ten years, Furr has appeared on the Travel Channel and garnered prestigious awards including Zagat’s Top 10 Bites at Eat Drink SF Grand Tasting.

Chef Mark Furr is currently the Director of Culinary Arts & Music, and Musica Marin and Tiburon Yacht Club in Tiburon.

Tu David Phu — Chef

Chef Tu David Phu is a first generation Vietnamese-American with a rich culinary background. An alumni of highly regarded kitchens (such as: Daniel, Acquerello and Chez Panisse) his cooking reflected a wide range of cooking cultures - from the American culinary greats to classical European traditions. But his roots were quite different. His family hails from the Island of Phu Quoc, accredited as the birthplace of fish sauce in Asia. Consequently he has family roots in Award Winning Fish Sauce Production, Hung Thanh 1895. Pilgrimages back to Vietnam were often.

After a decade of cooking, he began to immerse himself in the practices, ingredients, techniques, and flavors of Vietnamese cuisines. Revisiting his favorite childhood dishes through the memory of taste, he started to cook the cuisine of his Mothers' generations-old wisdom handed down grassroots-style. In 2016 he began garnering press and accolades with his weekly pop up dinners “AN - a Vietnamese Dining Experience.” San Francisco Chronicle named him 2017 Rising Star Chef and most recently a featured contestant on Bravo's Top Chef Season 15.

Jacob Kwan Rosenbush — Chef

A Bay Area native, Jacob developed a passion for cooking and entertaining at an early age. Heavily influenced by his mother, who was a tremendously skilled home cook, and the diversity of the Bay Area, Jake began his culinary career at Mary Risley’s Tante Marie Cooking School in San Francisco studying the foundational techniques of French and Italian cuisine.

He was the opening chef at acclaimed Stock & Trade and is the current executive chef at Hardwood Bar & Smokery.

Rogelio Garcia — Chef

Born in Mexico City, Mexico and raised in Los Angeles and Napa, California, Rogelio Garcia began his culinary career humbly as a dishwasher in Yountville, while working toward his high school diploma. A self-taught chef, Rogelio spent all his free time observing and helping in notable kitchens throughout Napa Valley and in San Francisco.

"The more I was working in the kitchen, the more I wanted to experiment with different flavors. And even though I was a dishwasher, I used to jump on the line with the cooks, and they used to show me, like, ‘Hey, this is what we do here, and his is how we set this up.’ I made it a point to learn as much as possible from as many people I could, not just from the executive chefs,” Rogelio recalls of his early years in the kitchen."

It wasn’t long before his eagerness and impeccable work ethic paid off. At age 15, he landed a job as sous chef at the now-closed, but highly regarded, Cyrus restaurant in Healdsburg. His rich history working in some of the finest kitchens includes positions such as executive sous chef at Calistoga Ranch, chef de partie at French Laundry, and executive chef at Angele and The Commissary. He attributes his successes to his culinary mentors and a deep passion for cooking.

In summer 2018, Rogelio joined the team at San Francisco’s Michelin-starred Spruce. As the chef de cuisine, Rogelio oversees the day-to-day operations of the kitchen and its menu of refined American dishes. Rogelio’s familiarity with Spruce’s style of cuisine – refined yet approachable – allows him to display his creativity, meanwhile incorporating many different techniques alongside the finest ingredients. Frequent trips to the local farmers’ markets and custom-grown ingredients from the restaurant’s farm, SMIP Ranch, are highlighted in his cooking.

Rogelio was a contestant on Bravo’s Top Chef and has cooked at the famed James Beard Foundation House. In his spare time, he enjoys spending time with his two young sons.

Intu Kornnawong — Chef

I’m Chef Intu, who grew up in a small town called “Udon Thani” north eastern of Thailand. everyone know as “Isaan”.

My dad would make the best “duck salad” called larb ped and my mom made the best Bangkok food called nam prik. Everytime they were in the kitchen, I would stop what I was doing and help them.

I decided to move to California after I graduating with a Bachelor's degree in environmental science.

The first decided I need to continued my major and going to Master’s degree.

Then, I discovered that cooking is my passion and attended ICC, ‘The International Culinary Center’ founded by French Culinary Institute (FCI).

While attending ICC, I would work at multiple restaurants to learn the techniques and the trade of cooking also for living in the city. that’s really hard to live in the expensive city without working. I was commute from SF to campbell city every day and keep cooking thai food btw training in french technique I worked at Marnee Thai with Chef Chai Siriyan and Chef Kasem at kitchen story (the owner at Farmhouse thai now).

After graduating from culinary school my career took off and I had job offers from the Range, which is a Michelin star restaurant and was mentored by Chef Rachel Silcock and stumbled onto Outerlands restaurant and worked with Chef Yoni Levy to learn Californian and French cuisine cooking style.

I decided to move to LA to continue my career and worked at the Rustic Canyon to learn from Chef Jeremy Fox. Chef Jeremy taught me a lot about Local farmer, vegetables and Californian cuisine is. One day led me to start learning about my home town cultural roots which is Thai food. I want to go back to my root Which led me to work at Night+Market as a kitchen manager with Chef Kris Yenbamroong who had a passion in Thai Food.

Chef Kris Taught me a lot about being more than just a chef and taught me how to run a restaurant, and we opened up another restaurant together Night + market #3.

After gaining 2 years of experience at Night+Market. I decided to move back to Bay area (SF) The where am I from. I first city I live and followed my heart (SF and my boyfriend) here. I started doing my own Pop up at Harmonic Brewing to test my food concept (Isaan, thai, californian style) Since I had numerous experiences under many chef’s I decided to create Thai-Californian cuisine.

Dian Ang — Chef

Pinoy Heritage is an award winning Filipino popup restaurant helmed by husband and wife team Francis and Dian Ang and partner Danica Aviles. Their years of experience in some of San Francisco's fine dining establishments coupled with their extensive culinary research in the Philippines have culminated into a shared vision to evolve and spread Filipino cuisine. Pinoy Heritage focuses on using seasonal, California-grown produce and translates these ingredients into dishes that personify the distinctive tastes and warm hospitality of the Philippines.